Fades

Linear Fades

These basic fades apply a fade-out to the selected audio, so that the amplitude changes gradually from the original amplitude at the start of the selection down to silence at the end of the selection. The shape of the fade is linear. The rapidity of the fade-out depends entirely on the length of the selection it is applied to.

Fade Out

Accessed by: Effect > Fade Out

Fade In

Accessed by: Effect > Fade In

Cross Fades

Despite the names these effects do not do an automatic cross-fade between two tracks or clips. Instead it applies a curve that is different from the one used by the Fade Out effect. The curve used is one that will result in equal volume throughout the fade once the faded in and faded out regions are mixed.

Cross Fade Out

Accessed by: Effect > Cross Fade Out

Cross Fade In

Accessed by: Effect > Cross Fade In

Fade In/Out tips:

• By repeating a fade in, the audio will remain quiet for longer then rise more rapidly to the original level. Similarly, repeating a fade out will cause the level to initially drop more rapidly then tail off at a lower level. As with other effects, the fade may be repeated as required by pressing CTRL + R.

  For a more customizable logarithmic fade in or fade out, use the Envelope Tool on Tools Toolbar.

• When cross-fading, fade in the first two-thirds of the overlapping audio that is beginning, and fade out the last two-thirds of the overlapping audio that is coming to an end. Two-thirds is a guideline rather than a rule, but helps to keep the level of audio constant through the fade. Alternatively, cross-fade using the two Cross Fade effects, selecting the entire overlap.

Musical Fades

Pro Fade Out

Pro Fade In